Carbon Transfer Printing: A Step-By-Step Manual, Featuring Contemporary Carbon Printers and Their Creative Practice, Co-authored with Don Nelson and John Lockhart. Routledge, New York and London, 2020.  

The Carbon Print Process, co-authored with John Lockhart. Zhejiang Photograhic Publishing Company, Hangzhou, 2018.

The Carbon Print. Co-authored with John Lockhart, Self-Published e-book, 2017.

Handcrafted: The Art and Practice of the Handmade Print. Co-authored with Christina Z. Anderson, Zhong Jiaming and Sam Wang. Zhejiang Photographic Publishing Company, Hangzhou, 2014.

El Bromóleo Monocromo: Guía y Manual de Trabajo. Edited, with Manuel Estébanez Consuegra, trans. Carles Nualart and Luis Segura. Published in the series Cuadernos de Fotografia Alternativa.  Novelda (Spain): Estébanez Consuegra & King, 2001.

The Book of Carbon and Carbro: Contemporary Procedures for Pigment Printmaking. Greenville, SC: Permanent Light Systems, 1999.

El impresionismo fotográfico en España: Una historia de la técnica y de la estética de la fotografía pictorialista, trans. José Luis Gil Aristu, in Archivos de la Fotografía, Vol. IV, No. 1. Zarautz (Spain): Photomuseum (Argazki Euskal Museo), 2000. Republication of The Photographic Impressionists of Spain: A History of the Aesthetics and Technique of Pictorial Photography. The Edwin Mellen Press, New York, 1989.

La Goma Bicromatada: Procedimiento  Básico.  Edited, with Manuel Estébanez Consuegra. Published in the series Cuadernos de Fotografia Alternativa.  Novelda (Spain): Estébanez Consuegra & King, 1999.

Schmidt de las Heras: Fotografías 1944-1960. La Coruña (Spain): Xunta de Galica, 1999.

El Libro del Carbón: Introducción y Guía de Trabajo para la Impresión en Carbón Monochromo, trans. Luis Segura Sellés. Novelda (Spain): Cuadernos de Fotografía Alternativa, 1998.

The Photographic Impressionists of Spain: A History of the Aesthetics and Technique of Pictorial Photography. The Edwin Mellen Press, New York, 1989.

ARTICLE: “Introducción a la fotografía pictorialista en España,” Introduction in the catalog for an exhibition of photography, Tomás de Acillona: Fotografías 1932-57. Bilbao: Museo de Bellas Artes, 2010.

ARTICLE:  “The Seductive Allure of the Syntax of Alternative Printmaking,” View Camera, May/June 2009, 12-19.

ARTICLE:  “Carbon Printing: A Look at the Work of Some Contemporary Printers,” View Camera, November/December 2008.

ARTICLE:  “Two Bath Development: Exposure and Development Strategy for Scanning,”  View Camera, July/August 2008, 55-58.

ARTICLE: “A Comparison of T-Max 100 and 400 Film,” View Camera, May/June 2008, 62-68.

ARTICLE: “TMY vs TMY-2: A Comparison,” View Camera, March/April 2008, 48-52.

ARTICLE: “He Chongyue and the Propaganda Wall in China,” View Camera, January/February 2008, 22-25.

ARTICLE: “Carbon Transfer Printmaking, Part IV.” Silvershotz, Volume 4, Edition 4, November, 2007.

ARTICLE: “Carbon Transfer Printmaking, Part III.” Silvershotz, Volume 4, Edition 3,  September, 2007.

ARTICLE: “Carbon Transfer Printmaking, Part II.” Silvershotz, Volume 4, Edition 2,  July, 2007.

ARTICLE: “Carbon Transfer Printmaking, Part 1.” Silvershotz, Volume 4, Edition 1 May, 2007.

ARTICLE: “Gallery of Carbon Transfer Prints,” Magnachrom, Volume 1, Issue 4, March 2007.

ARTICLE: “Carbon Transfer Printmaking, Magnachrom, Volume 1, Issue 3, February 2007.

ARTICLE: “The ULF-28 Contact Printing Exposure System: A Light Source for Alternative and Silver Printing.” The Unblinkingeye. Article posted August, 2006 at  http://unblinkingeye.com/Articles/ULF28/ulf28.html

ARTICLE: “Une introduction aux révélateurs colorants au Pyro, avec  une attention particulière pour le Pyrocat-HD,” Galérie-Phot: le site français de la phtograpie haute résolution. Article posted January 2004 at http://www.galerie-photo.com/revelateurs-colorants-au-pyro.html

ARTICLE: “Pigment Printmaking  with Carbon,” View Camera, Jan/Feb 2004, 36-43.

ARTICLE: “An Introduction  to Pyro Staining Developers, with  Special Attention to the Pyrocat-HD formula.” Article posted November 2003 at http://unblinkingeye.com/Articles/PCat/pcat.html

ARTICLE: “Making Carbon Tissue for Photogravure Printing,” in Copperplate Photogravure, David Morrish, New York: Amphoto Press, 2003.

ARTICLE (ONLINE): “Making Kallitype Prints,” The Unblinkingeye. Article posted April 2003 at http://unblinkingeye.com/Articles/Kallitype/kallitype.html

ARTICLE (ONLINE): “Ultraviolet Light Sources for Print with Alternative Processes,” The Unblinkingeye. Article posted December 2001 at http://unblinkingeye.com/Articles/Light/light.html.

ARTICLE: “Pigment Printing with the Carbon Process, Part II,” Photovision, November/December 2001, 48-52.

ARTICLE: “Carbon Printing, Part I,” Photovision, September/October 2001, 42-47.

CHAPTER IN BOOK: “Monochrome Carbon Printing,” in Coming Into Focus, Edited by John Barnier, San Francisco: Chronicle Press, 2000, 87-105

ARTICLE: “The Mystery and Science of Pyro,” The World Journal of Post-Factory Photography, No. 4, December 1999, 20-25.

ARTICLE: “The Origins of Alternative Printing Processes,” The Alt Photo Review, Autumn, 1996, 3-4.

ARTICLE: “Notes on the Aesthetics of Pictorialism,” The Alt Photo Review, Summer 1996, 3-6.

ARTICLE: “Pictorial Photography in Spain: The Photographic Art of José Ortiz-Echagüe,” in The New Pictorialist, Spring, 1990.

REVIEW:  “La historia de la fotografía en España desde sus orígenes hasta 1900,” in The Comparatist, VIII (1985), pp. 67-68.

“Altered Narratives,” Join exhibition with other alternative print makers at the City Gallery in Charleston, South Carolina, 2016.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2016. Condon, Montana

“Workshop on Making Digital Negatives,” at the Light Factory in Charlotte, North Carolina, July 2015.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2015. Condon, Montana

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2014. Condon, Montana

“Carbon Transfer Workshop,” for the Encuntro de Procesos Alternativos, Xalapa, Mexico 2009.

 “Carbon Transfer Workshop,” for the Encuntro de Procesos Alternativos, Xalapa, Mexico 2011.

Exhibition at the Holos Galeria, Xalapa Mexico, June-July 2009.

“Carbon Printmaking,” at Photostock, June 2009.

“Brits and Yanks Invade,” a five-day workshop at the Black Donald Lake in the Otawa Valley in Ontario. October 22-26 2008.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2008. Condon, Montana.

“PDN and Pt./Pd. Printing, a four-day workshop given in collaboration with Mark Nelson in Toronto at Elevator Digital, December 2006.

“Carbon Printmaking,” a five-day workshop given in Istanbul, Turkey, October, 2006.

Exhibition  in Istanbul, Turkey as part of the Bienal of Photography, 2006.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2006. Condon, Montana.

Platinum and carbon workshops at the 2006 APUG conference in Toronto. May, 2006.

Exhibition  at the Elevator Gallery in Toronto. May, 2006.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, June 2005. Condon, Montana.

Exhibition of personal photographic work at APIS. Santa Fe, New Mexico, 1001

Exhibition of personal photographic work, February, at the 1^ST Street Gallery in Boca Raton, Florida.

“Carbon Printmaking,” a five-day workshop presented as part of the Formulary Workshops in Montana, July 2000. Condon, Montana.

“Taller  de carbón,” a two-day workshop on carbon printing organized by the editors of  Cuadernos de Fotografía Alternativa. October 1999. Novelda (Alicante), Spain.

Exhibition of personal photographic work at Virginia Intermount College. Bristol, Virginia,  1990.

Exhibition of personal photographic work at Anderson College. Anderson, South Carolina, 1991.

Numerous workshop demonstrations of carbon printing for MFS students of Visual Arts at Clemson University, 1990-95.

Invited artist for a photographic workshop on pigment printing, at the Appalachian Environmental Arts Center. Highlands, North Carolina, July 1990.

“The Aesthetic Implications of Historical Printing Processes: Carbon and Carbro Printing,” Presentation of Works and Process Demonstration at the Society for Photographic Education. Charlotte, North Carolina, 1986.

“Some Notes on the History of Carbon Printing,” Bostick & Sullivan Symposium on Carbon Printing. August 15, 2008. Santa Fe, New Mexico.

“Working with the Ultra Large Format Camera,” and “Printing with the Alternative Processes,” at the View Camera Conference, University of New Mexico, Albuquerque, New Mexico, June 2002.  Leader in panel discussions on the use of ultra large format cameras.

“Carbon Printing, “ Alternative Photographic International Symposium, St. John’s College, Santa Fe, New Mexico, July 2001.

“Literature and the Visual Arts: The Photography of José Ortiz-Echagüe,” The Philological Association of the Carolinas, 1992.

“Visual Extensions of the Generation of ’98: The Pictorial Recreation of the Castilian Landscape in José Ortiz-Echagüe,” Louisiana Conference on Hispanic Languages and Literatures, 1990.

“Agustí Centelles: A Photographic Vision of the Civil War,” Mountain Interstate Foreign Language Conference, 1985.

“Photography in Barcelona in the 20th Century,” Mountain Interstate Foreign Language Conference, 1984.

“Cataluña in the Development of Photography in Spain: From the Daguerrotype of Alaberm to the 20th Century,” Mountain Interstate Foreign Language Conference, 1984.

“The Pictorial Tradition in Spanish Art: The Photography of José Ortiz Echagüe and Joaquim Pla Janini,” Mountain Interstate Foreign Language Conference, 1983.